#1003: Oscars Special with Michael Phillips, Grand Theft Hamlet
Who will win, who should win, and who should have been nominated.
Read More"The Flagship Film Podcast"
“The flagship film podcast” featuring in-depth reviews, top 5 lists and interviews.
Who will win, who should win, and who should have been nominated.
Read MoreWhen Herzog went mainstream and Brazil’s Best Pic nominee.
Read MoreA ghost story as only Soderbergh would do it.
Read MoreWho will win, who should win, and who should have been nominated.
Read MoreOscar nom catch-up.
Read MoreAdam and Josh talk “Barbie” snubs, surprise noms, and the mystery of Wes Anderson’s “Asteroid City” shutout.
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Who will win, who should win - and who should have been nominated.
Read MoreStill crazy after all these years.
Read More10 takeaways from this morning's Oscar noms announcement.
Read MoreWho will win, who should win—and who should have been nominated.
Read MoreEd Helms and Patti Harrison make an unlikely connection in the new comedy from Nikole Beckwith.
Read MoreWho will win, who should win—and the Academy’s unfortunate omissions.
Read MoreCatching up with Best Actress nominees Andra Day and Vanessa Kirby.
Read More45 years later, our screens may have changed, but Sidney Lumet’s Oscar-winning media satire still stings.
Read MoreWho will win, who should win—and the Academy's unfortunate omissions.
Read MorePraise for (and a few quibbles with) this year's nominations, plus a second look at "The Last Jedi."
Read MoreAdam and guest host Michael Phillips make their 2017 Oscar picks
Read MoreAdam and Josh preview the new year by posing their Top 5 Questions about the 2017 movie calendar.
Read MoreFilling in for Adam and Josh this week, The Chicago Tribune's Michael Phillips and Tasha Robinson from The Verge/Last Picture Show chat about the 17th century-set horror film THE WITCH and potty-mouthed superhero DEADPOOL - plus 2016's most baffling Oscar picks.
Read MoreWith the divisive "American Sniper" a surprise awards season success, Filmspotting takes a trip back a couple of decades for a Sacred Cow review of Clint Eastwood’s Best Picture-winning UNFORGIVEN.
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